2021 Artistry in Rhythm (A.I.R.) Dance Conference
The 2021 Artistry in Rhythm (A.I.R.) Dance Conference is a dance symposium tailor-made for our times of social isolation and augmented injustices: a virtual community event centered on the power and possibilities of embodied resilience and strength, emancipation, and defiant joy through the art and creative practice of dance.
Co-presented with Jubilation Dance Ensemble, MDC Kendall Campus Performing Arts and Industries Department, the annual community event offers a unique immersion into the world of socially-committed contemporary dance, an experience and celebration of the transformative and restorative power of expressive movement at the crossroads of change-making and embodied creative acts.
Honoring Urban Bush Women and Jawole Willa Jo Zollar
The 2021 A.I.R. Dance Conference will honor the ground-breaking Urban Bush Women dance collective and its founding Artistic Director, Jawole Willa Jo Zollar, for their decades-long work in pursuit of equity, social justice, and empowerment for Black and Indigenous people of color, centering issues of fairness, gender, health, ecology, sustainability, and restoration through the transformative creative practice of expressive movement and dance.
Kick-off the celebration with a keynote conversation with conference honoree Jawole Willa Jo Zollar via Zoom. Experience UBW’s signature foundational workshops including Entering, Building, and Exiting Community and The Generative Practice Virtual Think Tank. Dancers from UBW will also engage 11 select dancers in a 3-week intensive creation process online called Artist Journal, which will culminate in an online Zoom performance by the students.
Discover the Power of Dance to Restore and Liberate
Join master dance classes and conversations with the very best in the field. Explore the significance of civic and community engagement through the vernacular of dance. Experience the power of community and coalition in movement with renowned dancers and established industry leaders and performers.
Click below to learn more about the exciting line-up of events!
Keynote Conversation with A.I.R. Dance 2021 Honoree Jawole Willa Jo Zollar
Kick-off A.I.R. Dance 2021 with a keynote conversation with Jawole Willa Jo Zollar, award-winning founder and artistic director of the acclaimed Urban Bush Women (UBW). Charismatic, unflinching, and provocative, Zollar is a pillar of North American dance, one of the most important artists and social agents of our generation, known for speaking truth to power through pieces that bring the social back into the practice of dance. Over five decades of distinguished work, she has created more than 30 distinct pieces exploring the use of dance as a catalyst for social change. Jawole will discuss this incredible trajectory and artistic legacy of UBW more broadly, in the context of a global pandemic, practices of sustainability, the intensity of racial disparities, and attendant resistance movements, among other current events. Followed by a brief Q & A with the audience.
Jawole Willa Jo Zollar is from Kansas City, Missouri. Zollar trained with Joseph Stevenson, a student of the legendary Katherine Dunham. In 1984, Jawole founded Urban Bush Women (UBW) as a performance ensemble dedicated to exploring the use of cultural expression as a catalyst for social change. In addition to 34 works for UBW, she has created works for Alvin Ailey American Dance Theater, Philadanco, and others. Featured in the PBS documentary, Free to Dance, which chronicles the African-American influence on modern dance, Jawole was designated a Master of Choreography by the John F. Kennedy Performing Arts Center in 2005. Jawole has also been awarded multiple fellowships including a 2008 United States Artists Wynn fellowship and a 2009 fellowship from the John Simon Guggenheim Memorial. She has been awarded honorary degrees from Columbia College, Chicago, Tufts University, Rutgers, and others. In 2013, Jawole received the Doris Duke Performing Artist Award, in 2015 the Dance Magazine Award, the 2016 Dance/USA Honor Award, and the 2017 Bessies Lifetime Achievement Award. She serves as director of UBW’s acclaimed Summer Leadership Institute, founder/visioning partner of UBW, and currently holds the position of the Nancy Smith Fichter Professor of Dance, and Robert O. Lawton Distinguished Professor at Florida State University.
Entering, Building, and Exiting Community (EBX) Training led by Urban Bush Women
Rooted in UBW’s value-centered approach and decades-long commitment to working with communities that are perceived as economically poor and in crisis, EBX seeks to build and expand a movement of practitioners that decolonize approaches and methods to build an autonomous, self-determined, and liberatory embodied practice. Participants will explore UBW core values and experience a variety of community-building exercises to implement into their personal and creative practice.
Urban Bush Women (UBW)burst onto the dance scene in 1984, with bold, demanding, and exciting works that brought under-told stories to life through the art and vision of its award-winning Founder, Jawole Willa Jo Zollar. The Company weaves contemporary dance, music, and text with the history, culture, and spiritual traditions of the African Diaspora under the artistic direction of Chanon Judson and Samantha Speis.
The Generative Practice: A Virtual Think Tank led by Urban Bush Women
This generative workshop champions art-making as a way to conjure wellness, cultivate community, and advance the dream of equity and liberation. UBW’s Virtual Think Tank stimulates physical expression as well as critical and creative thinking through various eclectic offerings and dance-based provocations including readings of relevant literature, as well as music and visual art that elucidate processes of creative change-making through embodied disciplines and the dance arts.
Urban Bush Women (UBW) burst onto the dance scene in 1984, with bold, demanding, and exciting works that brought under-told stories to life through the art and vision of its award-winning Founder, Jawole Willa Jo Zollar. The Company weaves contemporary dance, music, and text with the history, culture, and spiritual traditions of the African Diaspora under the artistic direction of Chanon Judson and Samantha Speis.
Artist Journal: Online Performance led by UBW and Students
There are practices for navigating discomfort, healing, and visioning onward that have charted the survival and progression of people of color. Many of these we know and exercise, others we seek to uncover. UBW’s Artist Journal is a sharing of this active research, our creative navigation for Re-Membering and Restoring.
In an open rehearsal setting, dancers from UBW engage 11 select student dancers (registration full) in a 3-week virtual dance and creative intensive culminating in an online virtual (Zoom) event that combines moments of informal performance, audience interaction, and conversation, and a dance party. Artist Journal is an invitation into UBW’s creative and research-driven process of creating multidisciplinary work and offers an opportunity to reflect and connect with others around some ways we are navigating our survival to move towards thriving.
Join us for the culminating public performance of the works created during the intensive on March 12th at 7:00 pm!
Urban Bush Women (UBW) burst onto the dance scene in 1984, with bold, demanding, and exciting works that brought under-told stories to life through the art and vision of its award-winning Founder, Jawole Willa Jo Zollar. The Company weaves contemporary dance, music, and text with the history, culture, and spiritual traditions of the African Diaspora under the artistic direction of Chanon Judson and Samantha Speis.
Dance as Healing: Symbology of Silvestre Technique led by Rosangela Silvestre
In this introduction to the Silvestre Technique, participants will practice methods for conditioning the body through physical and expressive training for all levels of experience. Marrying the social, creative, and spiritual dimensions of dance, this workshop will explore and underscore the connection of the physical body to the Universe, which Silvestre calls “the Body Universe,” symbolized by three triangles formed on the body.
Rosangela Silvestre is a choreographer, instructor, dancer, and creator of the Silvestre Dance Technique. Rosangela is a native of Salvador, Bahia, in Brazil, where she studied Dance specializing in choreography, at the esteemed Federal University of Bahia (UFBA). She has researched dance and music practices in Brazil, India, Egypt, Senegal, and Cuba as part of her ever-evolving and eclectic choreographic palette of movement and dance. She is trained in diverse techniques and dance expressions.
The Art of Acceptance led by Shanna Woods
This cathartic dance workshop for dancers and enthusiasts at all levels of experience incorporates ritual dance movements, meditation and journal work to encourage a look within, calling us to appreciate and accept our bodies as they are, and shift paradigms and perspectives as needed. Workshop encourages the daily practice of self-love through the use of affirmations and other practices to heal and restore our relationship with ourselves.
Shanna L. Woods is a Delray Beach, Florida native. Shanna has performed nationally and internationally with Deeply Rooted Dance Theatre, Cleo Parker Robinson Dance Theatre, Jubilation Dance Ensemble and Olujimi Dance Theatre. Shanna choreographed for the award-winning and short film Brown Ballerina. Initiated as a Sacred Woman under Queen Afua, as well as KAY Yoga and AkhuYoga certified, Shanna is the founder of the Art of Acceptance, Electric F.L.Y. Ladies, and other notable projects. She is a founding member of the Florida Black Dance Artist Organization and hosts the Alaffia Peace Talk.
Virtual Masterclass with Deeply Rooted Dance Theater
Deeply Rooted Dance Theater returns to A.I.R. Dance Conference with a virtual masterclass and Summer Dance Intensive Audition. The virtual masterclass gives students a glimpse into the Deeply Rooted Summer Dance Intensive experience (SDI). SDI offers technical training and artistic development with a rigorous dance curriculum fostering learning and personal growth, including classes based in Horton, Graham, ballet, and contemporary movement along with opportunities to learn the company’s repertoire through workshops and performances. The curriculum also features The Continuum, a series of guided, remote conversations on self-awareness and personal growth informed by each participant’s creativity and artistic process.
Nicole Clarke-Springer began formal training under the guidance of Claudette Soltis (Ballet Russe de Monte Carlo and Joliet Ballet Society) and the Indianapolis Ballet Theatre under Dace Diodonis. She received her B.S. in arts administration-dance from Butler University in Indianapolis, where she was honored as Butler Ballet’s Outstanding Performer. Shortly after graduating from Butler, Clarke-Springer found her dance home within the Deeply Rooted Dance Theater family—first as an apprentice and later as company member. As a member of DRDT, she had the opportunity to perform with Roberta Flack in Kevin Iega Jeff’s Flack, as well as Jennifer Holiday in the world-renowned Penumbra Theatre’s Black Nativity. She briefly left the company in 2007 to serve as adjunct professor in Western Kentucky University’s Dance Department. While there, she was asked to join the Clifton Brown Dance Company, performing on its tour to Istanbul, Turkey. The same year, Clarke-Springer returned to the Deeply family as program director of its Summer Dance Intensive. During this time, she began deepening her choreographic voice, creating and later setting works including Nine, Dounia, and Femme for the main and second companies. She also served as assistant choreographer to Kevin Iega Jeff for Congo Square Theatre’s Nativity for two years. In 2013, Clarke-Springer joined Kevin Iega Jeff and Gary Abbott as the newest member of the Deeply Rooted Artistic Team and was named Deeply Rooted Dance Theater’s Emerging Choreographer for the program “Generations.” Among the critical responses to her work Hadiya were these thoughts from Lynn Colburn Shapiro, See Chicago Dance: “a poignant memorial tribute…filled with…ritualistic gestures [that] carry a ceremonial theme…a living eulogy not only for the slain Hadiya Pendleton, but for all children who have lost their lives to violence.” In August 2015, she traveled with Deeply Rooted to participate in JOMBA! Dance Festival hosted by Flatfoot Dance Company, where she set her ballet Until Lambs Become Lions on the host company. In 2016, Clarke-Springer choreographed the opening number for the nationally syndicated Steve Harvey Show- Halloween Celebration. She teaches and choreographs throughout the country and has been on faculty as an adjunct professor at Chicago State University and Western Kentucky University and is currently on staff at Northwestern University. Crediting Deeply Rooted’s mission, Clarke-Springer works to create an environment where artists participate in a process that is not only spiritually affirming but requires open and honest dialogue that leads to self-reflection, constructive feedback, and accountability to the work required.
Past/Future Transits as Tools for Restoration led by Niurca Márquez
Based on the artist’s personal praxis and her numerous collaborations with various artists around the world amidst the social distancing and increasing isolation imposed by the global pandemic. Participants will learn and practice a powerful series of embodied exercises that combine movement, writing, and ritual to restore and re-define our current moment and evolving selves.
Niurca Márquez is an artist/researcher with a wide range, as a creator and performer in film, site-specific work, and staged performance. Her work has been commissioned by and presented on various curatorial platforms in Europe and the US. Her work examines the many intersections of tradition and vanguard practices to create new languages and expressions embedded in flamenco but informed by contemporary practices in dance and theater: a reflection on the work’s historical placement and potential implications within a contemporary dance setting. Márquez is also a devoted researcher examining the connections between political propaganda and the development of contemporary flamenco. Her essay on the development of “Flamenco Empirico” in Spain and its implications for the form, was recently published by McFarland Press in the upcoming Flamenco on the Global Stage: Historical, Critical and Theoretical Perspectives, edited by K. Meira Goldberg, Ninotchka D. Bennahum, and Michelle Heffner Hayes.